The last six weeks have been a whirlwind. That’s part of my life as a sculptor, especially at this time of year.
I attended the Codasummit in El Paso, Texas, in early October, sharing more information about my work with large-scale 3D printing, then geared up for the 2019 Camelback Studio Tour, for which I really needed to have my 8-foot-tall Cerberus 3D Gigante running.
My backup plan was to bring out my Cerberus 3D 400 and have it running during the 3 days of the show, but it wouldn’t have been the optimum. I was on TV a lot (Channels 3, 5, 7 and 10 here in metro Phoenix) to promote the show, and the 400 just doesn’t have the visual impact of the Gigante! That proved true as a number of visitors came just to see it running.
I printed 3 sculptures during the show, one each day. Two made the cut, while one had a weak start – the filament drooped unattractively – so it didn’t survive, but the other 2, Solar Conundrum, a translucent yellow of my solid style, and Amethyst City(right, in a temporary photo), a spectacular new piece in my new “cubist” style, came out beautifully.
Some I can control – the color and type of filament (type only if I’m printing on my Cerberus 3D 400 – it can handle a lot of different types because of its ability to print at a higher temperature than the other 2) – and, of course, the shape of the design itself.
What I’m discovering so far, though, is that there is a wonderful randomness about how the technology affects the appearance of the sculptures.
That’s easy to see when you look at 3 different prints (right), all the same form but different heights. The difference between them is striking and also extremely exciting.
I love that the process, which is such an integral part of my work – not just how I make my sculptures, but part of their intrinsic look – is speaking so loud and clear ….
I learn by doing. Yes, I also research, read, watch videos and gain knowledge in other ways, but mostly I play and push beyond what I already know to learn more.
A lot of my sculptures, such as Knot Me and subsequent artworks based on what I learned from tipping a trefoil knot on one corner, are a result of “I wonder what will happen if I do this ….”
That very sort of “following my curiosity,” as author Elizabeth Gilbert calls it, is what has led to one of the most exciting developments I’ve encountered yet in 3D printing.
As you know, if you’ve read this blog or watched my site, Instagram or Facebook for any time, I’ve been using 3D printing to create sculptures for about 5 years. I’ve enjoyed developing my own style of flowing, sometimes twisting and even angular forms, some of which are near to if not impossible to make in metal.
But this latest development, the result of playing with settings, is creating an entirely new look for my sculptures …. Read More →
My first 3D printer was a 3D Systems CubeX. I found out about it through the company that makes Alibre, the CAD software I use most often. I figured, “If they recommend this machine, it must work well with Alibre.”
It took several months to get the machine, and I jumped right into using it. Although it could supposedly print in three colors, I never mastered that. I did, though, get a lot of use out of the CubeX, especially using ABS filament ….
I love the strong colors 3D-printed resin creates. I really geek out on the translucents, of course – check out my 3D-printed sculptures to see how many times I’ve used translucent yellow, red, blue and purple filament because I love how they interact with light.
Yet I’m not afraid to cover the surface of a 3D-printed sculpture.
I did just that with Oculum, which has an antique brass patina. In that case, I had to address the sculpture’s surface because the design required supports during printing, and I have yet to figure out how to remove all evidence of them. That led to some “body work” (shades of my days as a mechanic!), which I then covered with the patina.
I’ve painted my 3D-printed sculptures, too. A good example is Night Sky, for which I just used rattle can paints.
But lately, I painted a couple of sculptures with a new finish that really excites me ….