Archive for 3D printing sculpture

Back to the future: up and running

Amethyst City, a large format 3D printed sculpture - Kevin CaronThe last six weeks have been a whirlwind. That’s part of my life as a sculptor, especially at this time of year.

I attended the Codasummit in El Paso, Texas, in early October, sharing more information about my work with large-scale 3D printing, then geared up for the 2019 Camelback Studio Tour, for which I really needed to have my 8-foot-tall Cerberus 3D Gigante running.

The 6 weeks the Gigante was down just prior to that was a bit heart-stopping.

My backup plan was to bring out my Cerberus 3D 400 and have it running during the 3 days of the show, but it wouldn’t have been the optimum. I was on TV a lot (Channels 3, 5, 7 and 10 here in metro Phoenix) to promote the show, and the 400 just doesn’t have the visual impact of the Gigante! That proved true as a number of visitors came just to see it running.

I printed 3 sculptures during the show, one each day. Two made the cut, while one had a weak start – the filament drooped unattractively – so it didn’t survive, but the other 2, Solar Conundrum, a translucent yellow of my solid style, and Amethyst City (right, in a temporary photo), a spectacular new piece in my new “cubist” style, came out beautifully.

But that’s not all! … Read More →

My 3D printer heads to the hospital

I STILL haven’t been able to enjoy my upgrades because one of the motors decided to not count all the steps. It counts them one way, but not the other.

Three hundred bucks later, the new motor doesn’t want to work. It could be firmware, or … who knows!

Accordingly, mad scientist Steve Graber took my Cerberus 3D Gigante, which he built, to his own shop where he has all the right tools and the number for tech support.

While this mystery still doesn’t have a conclusion, I hope you enjoy watching them carry this huge printer out the door ….

‘This has never happened before’ yet again ….

Since my last post I’ve gotten this much printed:

Yes, nothing. Nothing except frustration and fails.

3D print fail - Kevin CaronAfter many days and hours of troubleshooting – Steve Graber was here so many hours (15? 20?) over 5 days that I offered him our spare bedroom – he and I narrowed down the problem to a bad motor.

Yes, of the 3 motors that run the Cerberus 3D Gigante, one had decided to no longer count steps, one way only, though.

Our first, oh, dozen or so hours of troubleshooting didn’t even touch the problem, which was causing every print to thin out one one side. At first we thought the bed wasn’t level, but after several attempts at leveling it using 2 different probes, it became clear that wasn’t the problem.

Finally we heard a slight variation in the motor sound when it neared one particular side. We also remembered that the last print I’d done, the large version of my 3D printed sculpture Ruby, had printed oddly at the bottom. It wasn’t so bad that I couldn’t use the print, but I knew I’d have to account for the lopsided bottom when I printed its base. I just couldn’t get that base to print, though.

So the problem had preceded all the work and improvements I’d just spent a lot of money on.

Steve rewired the motors to see if it could be the wiring, proving that it was indeed the motor.

Well, it better be: a new one just cost $300. Steve notified the motor manufacturer, who said, “We’ve never heard of this.” (They have now.)

It’s now been a month since I’ve been able to print, but I think we’ve got it.

Nonetheless, pray for me, and the printer! And stay tuned ….

Beautiful variations in 3D printing breakthrough

Top of a 3D printed sculpture - Kevin Caron Now that I’ve stumbled into this amazing new look with 3D printing I’m playing with the nuances.

Some I can control – the color and type of filament (type only if I’m printing on my Cerberus 3D 400 – it can handle a lot of different types because of its ability to print at a higher temperature than the other 2) – and, of course, the shape of the design itself.

What I’m discovering so far, though, is that there is a wonderful randomness about how the technology affects the appearance of the sculptures.

That’s easy to see when you look at 3 different prints (right), all the same form but different heights. The difference between them is striking and also extremely exciting.

I love that the process, which is such an integral part of my work – not just how I make my sculptures, but part of their intrinsic look – is speaking so loud and clear ….

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Breakthrough: ‘playing around’ leads to intriguing visual development

Detail of 3D printed sculpture Looking In - Kevin CaronI learn by doing. Yes, I also research, read, watch videos and gain knowledge in other ways, but mostly I play and push beyond what I already know to learn more.

A lot of my sculptures, such as Knot Me and subsequent artworks based on what I learned from tipping a trefoil knot on one corner, are a result of “I wonder what will happen if I do this ….”

That very sort of “following my curiosity,” as author Elizabeth Gilbert calls it, is what has led to one of the most exciting developments I’ve encountered yet in 3D printing.

As you know, if you’ve read this blog or watched my site, Instagram or Facebook for any time, I’ve been using 3D printing to create sculptures for about 5 years. I’ve enjoyed developing my own style of flowing, sometimes twisting and even angular forms, some of which are near to if not impossible to make in metal.

But this latest development, the result of playing with settings, is creating an entirely new look for my sculptures …. Read More →

All that is old is new again: Updating 3D printers

Makerbot 3D printerIf you buy a 3D printer “off the shelf,” say a MakerBot or Lulzbot, you get what you got.

Of course, based on the number of units sold of these machines, you can assume they are of some quality. You also know the capabilities of the printer, the kind of filament it can handle, its footprint, and, well, pretty much everything about it.

And you also have, in most cases, an established company you can go back to when things get squirrelly.

But the way 3D printing is evolving, just like computers, the minute you buy it, it’s obsolete. The newer printers can handle more exotic filaments, create larger and better prints. But you have the same 3D printer.

That’s one of the advantages of having a printer that’s built by a small company or even open source ….

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The CubeX is dead; long live the 400

My first 3D printer was a 3D Systems CubeX. I found out about it through the company that makes Alibre, the CAD software I use most often. I figured, “If they recommend this machine, it must work well with Alibre.”

3D Systems Cubex 3D printer

It took several months to get the machine, and I jumped right into using it. Although it could supposedly print in three colors, I never mastered that. I did, though, get a lot of use out of the CubeX, especially using ABS filament ….

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Metal filler works wonders with ABS filament

An as-yet-untitled 3D printed fine art sculpture by Phoenix artist Kevin Caron.Since I moved my 3D Systems CubeX 3D printer down to the studio, I’ve been able to play with it while I’m in the office cooling down – Arizona summers are really brutal when you work with fire and wear heavy protective gear. The CubeX gives me another way to play that keeps me under 1000 degrees.

One reason I hang onto this old 3D printer – it was the first one I owned – is that it prints ABS (acrylonitrile butadiene styrene) filament (the same stuff used in Lego bricks), which is petroleum-based. Although I mostly print in PLA (polylactic acid), ABS lets me do some things I can’t do with PLA.

In particular, it lets me print the two forms shown in this post, which my deltabot printers’ software just can’t seem to handle. The CubeX software can handle the thin edges better and print pieces without supports, which means much far less clean up. It also lets me use a filler that PLA probably wouldn’t put up with.

Accordingly, I decided to create these two forms for an upcoming show. I knew they wouldn’t print perfectly, though, so some body work was in my future ….

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A tale of two 3D-printed sculptures

Lemon Pisa, a 3D printed fine art sculpture - Kevin CaronI’ve written before about how I never create exact multiples of designs, 3D printed or otherwise. It’s possible, it’s just my philosophy to always create unique artworks.

That being said, I do enjoy creating variations of sculptures – something I also do with my metal works – which is how series develop. (If you go to my Website, you’ll see how I have multiple sculptures in the same vein, which are organized as series, in both my Fine Art and Home & Garden categories.)

Sometimes series develop because, as I create one sculpture, I can’t help thinking, “I wonder what would happen if I … ” took a different approach than the one I am already committed to on the piece I’m currently making.

Other times, someone will say something and spark an idea, and I can’t wait to see if it will work in a new sculpture. (A good example of this is Opioid, a 3D-printed sculpture with a light inside. I’ll do more with lights, too – it’s the single most asked question about my large format 3D printed sculptures: “Can you put a light in it?”)

Recently I 3D printed a piece on my 8-foot-tall Cerberus 3D Gigante 3D printer for a visiting TV crew and decided I wanted to make a variation on this design using the same luscious filament¬† ….

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A rainbow of colors comes to 3D printing filament

RAL color wheelI originally began working in wood (OK, in cars, if you want to go back further). I didn’t do anything professionally with it, but I built some furniture.

Then I turned to metal, which has been the bulk of my practice since I began selling my artwork in the early 2000s.

About 4 or so years ago, I began playing with 3D printing.

Now I work with metal during the day, and 3D print in the evenings and on weekends, having fun with various filaments and forms along the way. I’ve sold a number of 3D-printed sculptures, the largest of which is 5-1/2 feet tall.

It’s been amazing to watch 3D printing evolve so quickly, and to see intersections between my metalworking and 3D printing worlds. Now another intersection, or blurring of the lines, has happened, and this one is a big deal ….

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