Archive for Kevin Caron sculpture

3D-printed sculpture storms Tucson

A visitor to the Sculpture Tucson art show watches a Cerberus 3D 250 3D printer printing - Kevin CaronOK, maybe I went a little overboard in the headline, but I’m still really jazzed at the reception of my 3D-printed sculpture at the recent Sculpture Tucson show in, yes, Tucson, Arizona (is there another Tucson? Hmmm, I’ll have to look that up ….)

The turnout at the show was incredible. Preliminary estimates say that 4,300 people came through in just 2-1/2 days April 6 – 8.

Although the show was outside at Brandi Fenton Park, I had my Cerberus 3D 250 running the whole time. Amazingly enough, it only failed once when the wind got the best of it, but overall, it performed beautifully.

It also fascinated people. A few people who came by knew about 3D printing, but most visitors had never seen a 3D printer running before. That meant I did a lot of education, which is how it usually goes when I have the printer running at an event.

We actually apologized to the artists around us, who had to hear the spiel over and over and over again. The challenge was always explaining it like I’d never said it before, but what I would say seldom varied (“… start in CAD …” “… the filament comes down from here …” “… like a big glue gun …”) ….

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Getting it together: connecting 3D prints

Untitled 3D printed fine art sculpture - Kevin CaronEven though I have an 8-foot-tall 3D printer that will print up to 4 feet tall, there are times I’d like to make something bigger.

I have done that, as evidenced in the 5-1/2 foot tall sculpture Epic Swoon (below), which was commissioned by PriceCooperswaterhouse in Columbus, Ohio. That sculpture, the tallest 3D-printed piece I’ve made to date, reached its height by placing the main part of the sculpture on a black pedestal.

In all honesty, I have not had much luck yet in matching parts so that they can be put together seamlessly, so the contrasting pedestal was a handsome workaround.

Recently I created another sculpture (right) – well, at least the start of one – by printing 2 sections and sliding them together using slots. The fit is tight and requires no adhesive, but it wouldn’t hurt, either.

So it’s no surprise that Pinshape‘s recent post about using adhesives for 3D prints caught my eye ….

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Alien forces invade 3D print

As-yet-untitled 3D printed sculpture - Kevin CaronCrazy things happen with 3D printing, especially with my 8-foot-tall Cerberus 3D Gigante 3D printer.

As Steve Graber, who built this monster, has said, whatever this printer does, it does spectacularly. That definitely includes surprises like the “slubs” on my sculpture Love and Marriage, which are explainable, and recent moments like the time the print head decided to print a foot to the left of the print bed.

The most recent and as-yet-unexplainable oddity – or, as it’s called in the art world, “artifact” – is what it did to a print I just finished ….
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Switch cuts out 3D printing problem

3D printed table base - Kevin CaronAbout a week ago I decided to tackle a project I’ve been thinking about for a while. I have a beautiful glass tabletop and thought it would be fun to 3D print a base for it.

Fun?! I like to go into a project thinking positively, but maybe that just set me up ….

Anyway, the first day of what would be a 5-day print went fine. It was when I had to change out the 5-pound spool of PLA filament on my 8-foot-tall Cerberus 3D Gigante 3D printer that things went terribly wrong.

The print paused normally, then I switched out the spool of natural filament and loaded up the new spool. When I tried to resume the print, though, everything went haywire. The printhead swung wildly out of position, and the print was lost.

I was ready to pull my hair out! A whole $100 spool of filament and a day of 3D printing had been lost. Not to mention the frayed nerves.

Then Steve Graber, the man who built the Gigante, told me about the switch ….

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Seeing in 3D – Using 3D printing for prototyping

3D printed stem of Schubertii sculpture - Kevin CaronWhen 3D printing first became popular for more general use – it’d already been around 20 years in industrial and scientific settings – “rapid prototyping” was the buzzword you heard everywhere. (After I started working with 3D printing and especially my 8-foot-tall Cerberus 3D Gigante 3D printer, I found this hilarious – there wasn’t much rapid about it.)

While I do create sculptures using 3D printing, I also use it for protyping. It’s really important when I’m creating a sculpture in CAD and then actually building it in metal to be able to see all aspects of the form.

A great example is a sculpture I’m just beginning, Schubertii. Based on the plant by the same name, this sculpture will be 12 feet tall. Seven feet of that will be the sculpture’s “stem.”

The stem is fairly simply to look at, but creating it in metal is going to be, well, challenging. Its round edges and flowing form will require me to use a combination of tools – air shaper, English wheel, maybe even the slapper (yeah, there really is a tool called a slapper) – to get the rounded form that is the opposite of how metal comes, in flat sheets.

To get the form right, I printed the stem maquette, or model, on my Cerberus 3D 250 desktop 3D printer ….

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The mystery of the 3D print fail

Overheat screen for 3D printer - Kevin CaronIt starts out so innocently …. Doesn’t it always, especially with 3D printing!

I wanted to print something using NGen_FLEX (usually called “Ninjaflex”) rubber filament on my 8-foot-tall Cerberus 3D Gigante printer when I got a “Runaway temperature warning” (right), and the printer shut down.

I checked the graph in Simplify 3D, the combination host and slicer program I was using, and saw the temperature spiking instead of its usual gradual climb.

I shut off the 3D printer, let it cool, and tried it again. Same problem.

I printed the same file with regular PLA and had no problem.

There was only one thing to do …

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Tinker time for all ages: event turns on young and old

3D printing at Arts & Technology event in Surprise, AZ - Kevin CaronWhen you’ve done something for a while, you start to take it for granted.

There’s nothing like talking to others about 3D printing – and, best of all, showing it to them – to remind me how remarkable this technology is for many people.

Recently, my wife spoke with a woman who had never even heard of 3D printing. That’s pretty mind-blowing.

Most of the people who attended the inaugural “Technology & Art: A Tinker Time For All Ages” on Saturday, October 21 had heard of it but never seen a 3D printer in action.

They have now….

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Tripping Across 3D Printing in Australia

Artist Kevin Caron at Heide Museum of Modern Art in Melbourne, AustraliaSometimes you just have to get away. (Well, I do.) When I’m at home, I tend to work a lot, and that can lead to burn out. Getting away helps me clear my head, and often brings me new, fresh ideas I would never have had otherwise.

That’s one reason my lovely assistant (AKA The Voice, to those of you who watch my videos on YouTube, and wife of 25 years) headed to Australia recently.

We started out in Sydney, then drove the Princes Highway, which runs along the southern coast of Australia, to Melbourne.

We saw a lot of interesting things, including wild kangaroos and termite “castles,” as well as lots of beautiful seascapes and rolling fields of canola. We also enjoyed visiting the amazing Heide Museum of Modern Art in Melbourne (photo at right).

The last thing I was looking for was 3D printing ….

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Worlds Collide: 3D Printing Experience Informs Metal Sculpting

Dynatorch Super B 4x4 CNC Plasma TableSince I became a full-time artist in 2006, I’ve purchased and used a lot of tools. A lot of tools. If you took the recent video tour of my studio, you see many of them, and yes, I use them all. Using the right tool for the job can mean the difference between a job well done and one that turns out just OK, and the difference between spending hours and committing days to a single task.

Recently, I “moved up” in the world of metal working with a purchase of a Dynatorch Super B 4×4 Plasma CNC table (right). This tool allows me do jobs in an hour that would have taken me days, and does them better. It cuts out the metal accurately and cleanly – no more cutting close, then trimming or grinding to size!

The CNC table is a game changer for me, much like my 3D printers have been.

Interestingly enough, my experience with 3D printing helped me get up to speed on the Super B a lot faster than I would have otherwise ….

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Art takes 3D printing seriously at ASU

3D Systems ProJet 660 3D printerOne of the strongest intersections of art and 3D printing is taking place right here in Phoenix at Arizona State University.

I first encountered Dan Collins, who is a professor of Intermedia in the School of Art as ASU and a co-director of the PRISM lab, an interdisciplinary 3D modeling and rapid prototyping facility.

Dan has been involved in 3D printing for a long time. He was involved with TeleSculpture, which was held in 1999, 2000, 2001, 2003, 2005 and 2007, in which artists would simply send in their designs, which would be printed remotely for the show, an incredibly innovative idea, one certainly ahead of its time.

(You can read more about Dan’s activities and involvement by clicking on his name above.)

What Dan and his team have done is amazing ….
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